Exact dating of this painting is not possible since the birth date of the person portrayed is not known with certainty; yet the stylistic sequencing of Holbeins works places it most comfortably in about 1528. [directly after the painting of Sir Henry Wyat]. The face and hands are painted as more detailed and lifelike than the copy in Munich, chain and cross are more harmoniously placed in the composition. Just above the left eye there is some damage where it is badly flaked. This is from the Methuen Collection at Corsham House; in 1848 it was acquired by the duke of Westminster in the Sandersonschen Gant. Sir Bryan Tuke was the secretary of Cardinal Wolsey, Postmaster and Treasurer of the household of Henry VIII in 1528.
[Portrait of Sir Brian Tuke: size is 549 KB. Since the painting is cropped on the left, it may also be cropped on the right so that the in the year of his age may be 56, 57, or even 58. Note, however, that the version in the National Gallery of Art (Washington, DC) is not cropped (so severely?). This beautifully executed copy clearly shows LVII. His personal motto is given in French: righteous and onward. It is also possible to read the scripture to which his left hand is pointing: NVNQVM NON PAUCITAS DIERVM // MEORUM FINIETUR BREVI Are not the days of my life few? ]
The following comes from a web site article relating to Chaucers works:
The role of Chaucer as the savior of literary English soch an excellente Poete in our tong during the supposedly unilluminated period of the Dark Ages is here inscribed as a thinge right rare and straunge, and worthy perpetuall laude. Furthermore, this Preface itself, reproduced by Stowe for his edition of Chaucers Works, represents an interesting moment in the process of transmission and transition from manuscript to print culture. For it first appears in the original Collected Works of Chaucer, printed in 1532 by Thomas Godfray, having been edited and assembled from prior print and manuscript sources by William Thynne, Chief Clerk of the Kings Kitchen and subsequently Master of the Household for Henry VIII.
Thynnes dedicatory request for royal protection in his design of collecting all the Works into a single volume, however, appears to have been composed by Sir Brian Tuke, the Kings Postmaster, though we learn this not from Stowe, who uses Thynne as a basis for his own new and improved miscellany, but from a note in Tukes own hand that survives at the top of a Godfray copy of Thynnes Chaucer, surviving in the library of Clare College, Cambridge: This preface I sir Bryan Tuke knight wrot at the request of Mr Clarke of the Kechyn then being tarying for the tyde at Grenewich. (Walter W. Skeat, Introduction, The Works of Geoffrey Chaucer and Others, Being A Reproduction in Facsimile of the First Collected Edition 1532 from the Copy in the British Museum. London: Henry Frowde, Oxford U.P., 1904, xxi-xxii.)